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Siviglia at the Theatre Chatelet



Just want to say a million thanks to Tanya ( zhitenko ), through which I came to this view.

Wonderful performance. How many times have put this opera? For nearly two centuries of its existence? As still find inspiration and ideas for yet another of its incarnations? But there is really something exceptional, submitted Emilio Sagi . It's not just opera, not just music and beautiful voice. This is a full-fledged art show, with stunning plastic and visual effects.



Decorations resolved in black and white, very stylish. While remaining in the period and culture of the country, but here this black and white palette, with almost ink traced characters, dots, shtrishkami and fanciful twists - it is extremely pleasing to the soul.



to me so degree of harmony like this black and white performance (the solution found by Llorenç Corbella and Renata Schussheim), I'm almost disappointed when the last scene, in contrast given color - many colors. Toxic-bright as the CGA-shnye toys.



And how wonderful it looks in the dynamics! To support not just extras, and a plastic theater. Change of scenery - a real minispektakl where the plot involved the actors not only nenavyazschivo changing environment, but create a mood. Yes, and most importantly, singing (!) the actors still manage to perform almost acrobatic stunts. So that no elderly or Rosin Almaviv with a paunch, seeing that not only can not believe in the possibility of escape, and you begin to ask themselves whether they prolezut both the window. Here - only the youth and energy.



And, of course, music is a bummer Rossini, written in two weeks and submit to two centuries. And the voice ... Wonderful tenor Almaviva ( Bogdan Mihai ), a beautiful and rich voice with no less beautiful appearance. This Romanians still will have an effect! First heard in the performance of Rosina koloroturnogo mezzo-soprano ( Anna Stephanie ), as conceived Rossini, rather than the usual soprano. How much richer sound as beautiful duets! Amazing. Yes, and Rosina's aria, very bright and decorated with Rossini, the first time I heard. In Soviet productions often it was replaced by something else.

Figaro (Jeremy Carpenter) liked less, even though his voice has a charm, but a little muffled sounds that it would be quite good for lyrical, but defiantly a barber is not very suitable. But as he jumped! And in general was moving - great, just this and should be the most famous barbers - lively, impudent, energetic.

But for you to Figaro's aria in another performance, but from the same show. Here I vote more like it, but do not have the same plastic.



performance filled with humor, but also a symbol, you can look at, you can listen to, you can ponder. Great! And her one millionpervoe thanks to Tanya.